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https://w.atwiki.jp/unkyoku/pages/48.html
« » var ppvArray_0_b52117cb2b5c446cdee41c889c14098a = new Array(); ppvArray_0_b52117cb2b5c446cdee41c889c14098a[0] = http //w.atwiki.jp/unkyoku/?cmd=upload&act=open&page=080517.html&file=6.JPG ; ppvArray_0_b52117cb2b5c446cdee41c889c14098a[1] = http //w.atwiki.jp/unkyoku/?cmd=upload&act=open&page=080517.html&file=5.JPG ; ppvArray_0_b52117cb2b5c446cdee41c889c14098a[2] = http //w.atwiki.jp/unkyoku/?cmd=upload&act=open&page=080517.html&file=4.JPG ; ppvArray_0_b52117cb2b5c446cdee41c889c14098a[3] = http //w.atwiki.jp/unkyoku/?cmd=upload&act=open&page=080517.html&file=3.JPG ; ppvArray_0_b52117cb2b5c446cdee41c889c14098a[4] = http //w.atwiki.jp/unkyoku/?cmd=upload&act=open&page=080517.html&file=2.JPG ; ppvArray_0_b52117cb2b5c446cdee41c889c14098a[5] = http //w.atwiki.jp/unkyoku/?cmd=upload&act=open&page=080517.html&file=1.JPG ; window.onload=function(){ ppvShow_0_b52117cb2b5c446cdee41c889c14098a(0); }; function ppvShow_0_b52117cb2b5c446cdee41c889c14098a(n){ if(!ppvArray_0_b52117cb2b5c446cdee41c889c14098a[n]){ alert( 画像がありません ); return; } ppv_0_b52117cb2b5c446cdee41c889c14098a$( ppv_img_0_b52117cb2b5c446cdee41c889c14098a ).src=ppvArray_0_b52117cb2b5c446cdee41c889c14098a[n]; ppv_0_b52117cb2b5c446cdee41c889c14098a$( ppv_link_0_b52117cb2b5c446cdee41c889c14098a ).href=ppvArray_0_b52117cb2b5c446cdee41c889c14098a[n]; ppv_0_b52117cb2b5c446cdee41c889c14098a$( ppv_prev_0_b52117cb2b5c446cdee41c889c14098a ).href= javascript ppvShow_0_b52117cb2b5c446cdee41c889c14098a( +(n-1)+ ) ; ppv_0_b52117cb2b5c446cdee41c889c14098a$( ppv_next_0_b52117cb2b5c446cdee41c889c14098a ).href= javascript ppvShow_0_b52117cb2b5c446cdee41c889c14098a( +(n+1)+ ) ; } function ppv_0_b52117cb2b5c446cdee41c889c14098a$(){ var elements = new Array(); for (var i = 0; i arguments.length; i++){ var element = arguments[i]; if (typeof element == string ) element = document.getElementById(element); if (arguments.length == 1) return element; elements.push(element); } return elements; }
https://w.atwiki.jp/stones/pages/340.html
CDR 024 - STICKY FINGERS SESSIONS 1969-1970 DISC 1 (53 14) 1 Brown Sugar (outtake) 2 Brown Sugar (basic track) 3 Brown Sugar (early mix-hot rocks 1st pressing) 4 Wild Horses (early mix-hot rocks 1st pressing) 5 Wild Horses (remix) 6 You Gotta Move (basic track) 7 You Gotta Move (edited version from Gimme Shelter ) 8 Dead Flowers (early mix) 9 Brown Sugar (outtake) 10 Wild Horses (edited version from Gimme Shelter ) 11 Wild Horses (additional pedal steel guitar organ) 12 Dancing In The Light (outtake) 13 Trident Jam (outtake) 14 Cocksucker Blues (outtake) ■The Black Box CD-3 (Yellow Dog YD 048) includes tracks 1, 6,14 mono ■Sotheby s Reel 1969-1970 (Idol Mind Production IMP-N-013) includes tracks 2, 8 stereo ■The Black Box Bonus CD (Yellow Dog YD 2000) includes track 3 stereo ■Time Trip disc 2 (DAC-063) includes track 4 stereo ■Time Trip disc 1 (DAC-063) includes track 5 stereo ■Ultra Rare Trax Vol. 6 (The Genuine Pig TGP-CD-106) includes track 7 stereo ■A Shot Of Salvation (Scorpio OM 90-64-17) includes track 9 stereo ■Lonely At The Top / Nasty Habits (VGP-057) includes track 10 stereo, track 11 mono ■The Trident Mixes (DAC-052) includes tracks 12-13 stereo Note; Muscle Shoals Sound Studios, Florence, Alabama 12.2-4.1969 (tracks 1-2), Olympic Sound Studios, London, 12.9-10.1969 (tracks 3-8), 12.18.1969 (track 9), 2.17.1970 (tracks 10-11), Olympic Sound Studios, London Stargroves, Newbury, March-May 1970 (tracks12-14) Note; track 1 (The Black Box CD-3 track12), track 2 (Sotheby s Reel 1969-1970 track 5), track 9 (A Shot Of Salvation track 6) track 10 (Lonely At The Top / Nasty Habits track 16), track 11 (Lonely At The Top / Nasty Habits Track 12) CDR 025 - STICKY FINGERS SESSIONS 1970 DISC 2 (44 22) 1 Brown Sugar (intro only) 2 Brown Sugar (intro only) 3 Brown Sugar (early mix 1) 4 Brown Sugar (intro only) 5 Brown Sugar (intro only) 6 Brown Sugar (intro only) 7 Brown Sugar (intro only) 8 Brown Sugar (til 1st verse) 9 Brown Sugar (intro only) 10 Brown Sugar (til 2nd chorus) 11 Brown Sugar (early mix 2) 12 Brown Sugar (early mix 3) 13 Brown Sugar (early mix 4) 14 Brown Sugar (7"maxi single-dialogue end) 15 Bitch (early mix 1) 16 Bitch (til guitar solo) 17 Bitch (intro only) 18 Bitch (count only) 19 Bitch (til 1st verse) 20 Bitch (early mix 2) 21 Bitch (intro only) 22 Bitch (til 2nd verse) 23 Bitch (7"maxi single) 24 Sway (US 7"single-different vocals version) ■Sotheby s Reel 1969-1970 (Idol Mind Production IMP-N-013) includes tracks 1-13,15-22 stereo ■Acetates 1970-1974 (Idol Mind Production IMP-N-002) includes tracks 14,23 mono ■Time Trip disc 2 (DAC-063) includes track 24 mono Note; Olympic Sound Studios, London, 4.24.1970 (tracks 1-14), Stargroves, Newbury Olympic Sound Studios, London, 10.17-31.1970 (tracks 15-24) CDR 026 - EXILE ON MAIN ST. SESSIONS 1970 DISC 1 (59 39) 1 All Down The Line (basic track) 2 Shine A Light (basic track) 3 I m Going Down (remixed version) 4 Leather Jacket (outtake) 5 Who Am I ? (See I Love You) (outtake) 6 Shake Your Hips (long basic track) 7 Sweet Virginia (outtake) 8 Stop Breaking Down (outtake) 9 Good Time Woman (outtake) 10 Silver Train (outtake) 11 Travellin Man (outtake) 12 Potted Shrimp (outtake) 13 Alladin Story (outtake) 14 Highway Child (outtake) ■The Black Box CD-3 (Yellow Dog YD 048) includes track 1 mono ■Time Trip disc 1 (DAC-063) includes track 2 stereo ■METAMORPHOSIS (abkko 90062) includes track 3 stereo ■The Trident Mixes (DAC-052) includes tracks 4-5,11-13 stereo ■Time Trip disc 2 (DAC-063) includes tracks 6, 8 stereo ■Time Trip disc 3 (DAC-063) includes tracks 7,14 stereo ■Hillside Blues (VGP-214) includes track 9 stereo ■Masons Yard To Primrose Hill (VGP-112) includes track 10 mono Note; Olympic Sound Studios, London, 6.16-7.27.1970 (tracks 1-5), Stargroves, Newbury Olympic Sound Studios, London, 10.17-31.1970 (tracks 6-14) Note; track 1 (The Black Box CD-3 track 8) CDR 027 - EXILE ON MAIN ST. SESSIONS 1971-1972 DISC 2 (66 09) 1 Let It Loose (backing track) 2 Fast Talking Slow Walking (outtake) 3 I Ain t Signifying (Ain t Gonna Lie) (outtake) 4 Tumbling Dice (7"single) 5 Sweet Black Angel (backing track) 6 Sweet Black Angel (7"single) 7 All Down The Line (US 7"single-mono version) 8 I Don t Care (outtake) 9 Exile On Main St. Blues (radio spot version) 10 Exile On Main St. Blues (flexisingle version) 11 Shake Your Hips (rehearsal) 12 Bluesberry Jam (rehearsal) 13 John s Jam (rehearsal) 14 Tumbling Dice (rehearsal takes 1-2) 15 Loving Cup (rehearsal) ■Hillside Blues (VGP-214) includes tracks 1, 5 stereo ■Place Pigalle disc 1 (VGP-362) includes track 2 mono ■Time Trip disc 3 (DAC-063) includes track 3 stereo, tracks 7-8 mono ■EXILE ON MAIN ST. (Virgin Records CDV 2731) includes tracks 4, 6 stereo ■Get A Line On You (VGP-109) includes track 9 mono ■Whip s Crack Tiger s Snarl (Exile EXCD-003/4) includes track 10 mono ■Time Trip disc 1 (DAC-063) includes track 11 mono ■Time Trip disc 2 (DAC-063) includes tracks 12-15 mono Note; Villa Nellcote, Paris, France, 7.10-11.23.1971 (tracks 1-3), Sunset Sound Studios, Los Angeles, California, 12.4-19.1971 (tracks 4-7), 3.28.1972 (tracks 8-10), broadcast by German TV, 5.17-21.1972 (tracks 11-15) CDR 028 - GOATS HEAD SOUP SESSIONS 1972-1973 (76 29) 1 Winter (early mix) 2 Through The Lonely Nights (7"single) 3 Tops (basic track 1) 4 Waiting On A Friend (basic track 1) 5 Save Me (Criss Cross) (basic track 1) 6 Separately (outtake) 7 You Should Have Seen Her Ass (outtake) 8 Dancing With Mr.D. (early mix) 9 100 Years Ago (early mix) 10 Angie (early mix) 11 Angie (7"single) 12 Silver Train (early mix 1) 13 Silver Train (early mix 2) 14 Silver Train (7"single) 15 Hide Your Love (early mix) 16 Save Me (Criss Cross) (basic track 2) 17 Save Me (Criss Cross) (basic track 3) 18 Save Me (Criss Cross) (soundtrack-edited version) ■Time Trip disc 2 (DAC-063) includes track 1 stereo ■RARITIES 1971-2003 (Virgin Records 0946 3 49725 2 9) includes track 2 stereo ■Place Pigalle disc 1 (VGP-362) includes tracks 3-4, 6-7,16 mono ■Acetates 1970-1974 (Idol Mind Production IMP-N-002) includes tracks 5, 9,13,15 stereo ■Mad Shadows (Scorpio) includes tracks 8,12,17 stereo ■Time Trip disc 1 (DAC-063) includes track 10 stereo ■GOATS HEAD SOUP (Virgin Records CDV 2735) includes tracks 11,14 stereo ■Lonely At The Top / Nasty Habits (VGP-057) includes track 18 mono Note; Dynamic Sound Studios, Kingston, Jamaica, 11.25-12.21.1972 (tracks 1-7), Island Recording Studios, London, 4.28-May 1973 (tracks 8-18) Note; track 5 (Acetates 1970-1974 track 5) CDR 029 - IT S ONLY ROCK N ROLL SESSIONS 1973-1974 (57 15) 1 Slow Down Stop (outtake) 2 Living In The Heart Of Love (outtake) 3 Drift Away (outtake 1) 4 Drift Away (outtake 2) 5 If You Can t Rock Me (early mix) 6 Ain t Too Proud To Beg (early mix) 7 It s Only Rock n Roll (But I Like It) (7"single) 8 Till The Next Goodbye (early mix) 9 Time Waits For No One (full length version) 10 Luxury (full length version) 11 Dance Little Sister (early mix) 12 Fingerprint File (early mix) ■Place Pigalle disc 1 (VGP-362) includes track 1 mono ■Lonely At The Top (The Swingin Pig TSP-CD-199) includes tracks 2-3 stereo ■Acetates 1970-1974 (Idol Mind Production IMP-N-002) includes tracks 4, 6, 8-9,12 stereo ■Acetates (Midnight Beat MB CD 045) includes tracks 5,11 stereo ■IT S ONLY ROCK N ROLL (Virgin Records CDV 2733) includes tracks 7,10 stereo Note; Musicland Studios, Munich, West Germany, 11.13-24.1973 (track 1), 1.14-28.1974 (tracks 2-3), Stargroves, Newbury, 4.10-15.1974 Island Recording Studios, London, 5.20-25.1974 (tracks 4-12) Note; track 6 (Acetates 1970-1974 track 9) CDR 030 - BLACK AND BLUE SESSIONS 1974 DISC 1 (39 30) 1 Charry Oh Baby (basic track) 2 Fool To Cry (intro only) 3 Fool To Cry (outtake) 4 Fool To Cry (basic track) 5 Fool To Cry (7"single) 6 Act Together (intro only) 7 Act Together (outtake 1) 8 Act Together (outtake 2) 9 I Got A Letter (outtake 1) 10 I Got A Letter (outtake 2) ■Black Blue Sessions (Idol Mind Productions IMP-CD 005) includes tracks 1, 4 stereo ■Static In The Attic 1974-1979 (Idol Mind Production IMP-N-004) includes tracks 2-3, 6-7, 9 stereo ■BLACK AND BLUE (Virgin Records CDV 2736) includes track 5 stereo ■Place Pigalle disc 1 (VGP-362) includes tracks 8,10 mono Note; Musicland Studios, Munich, West Germany, 12.7-15.1974 (tracks 1-10) CDR 031 - BLACK AND BLUE SESSIONS 1975 DISC 2 (63 59) 1 Melody (outtake) 2 Crazy Mama (outtake) 3 Slave (basic track 1) 4 Worried About You (outtake) 5 Let s Do It Right (Comon Sugar) (outtake-basic track) 6 Wind Call (outtake) 7 English Rose (outtake) 8 Freeway Jam (outtake) 9 (Love Is Like A) Heatwave (outtake) 10 Shame Shame Shame (outtake) 11 Travelin Man (outtake) 12 Men Eating Woman (outtake) 13 Funky Jam (outtake) 14 Blues Jam (outtake) ■Black Blue Sessions (Idol Mind Productions IMP-CD 005) includes tracks 1, 3 stereo ■Outtakes 1974-75 (Extremly Rare EXR 002) includes tracks 2, 4-5 stereo ■Place Pigalle disc 1 (VGP-362) includes track 6 mono ■I Can t Judge The Music By Looking At The Cover (BBL1) includes track 7 mono ■Instrumentals (5092314) (Vinyl) includes tracks 8-9 mono ■Jamming With The Rolling Stones (Scarecrow 061) includes tracks 10-14 mono Note; De Doelen, Rotterdam, Holland 1.22-2.9.1975 (tracks 1-14) CDR 032 - BLACK AND BLUE SESSIONS 1975 DISC 3 (58 14) 1 Hot Stuff (backing Track) 2 Hand Of Fate (outtake) 3 Memory Motel (backing track) 4 Hey Negrita (outtake) 5 Crazy Mama (7"single) 6 Never Stop (outtake) 7 Cellophane Trousers (Back To The Country) (outtake-basic track) 8 Cellophane Trousers (Back To The Country) (outtake-with additional lead guitar) 9 I Love Ladies (Sexy Nite) (outtake) 10 Munich Reggae (Reggae n Roll) (outtake-basic track) ■Play It Rough-Black Blue Sessions (Exile EXCD-040A/B) includes tracks 1, 9 mono, track 8 stereo ■Outtakes 1974-75 (Extremly Rare EXR 002) includes tracks 2, 7,10 stereo ■Black Blue Sessions (Idol Mind Productions IMP-CD 005) includes tracks 3-4 stereo ■BLACK AND BLUE (Virgin Records CDV 2736) includes track 5 stereo ■L.A. Fog 1975 (VGP-277) includes track 6 mono Note; Musicland Studios, Munich, West Germany, 3.5-4.4.1975 (tracks 1-10) BACK / NEXT
https://w.atwiki.jp/parole/pages/15.html
HTTPヘッダ情報を見ることのできるツール。 オンラインで。 http //web-sniffer.net/ また、Firefoxのプラグインにもある。 http //livehttpheaders.mozdev.org/index.html 例えばwww.google.comにアクセスすると･･･ http //www.google.com/ GET / HTTP/1.1 Host www.google.com User-Agent Mozilla/5.0 (Windows; U; Windows NT 5.1; en-US; rv 1.8.1.13) Gecko/20080311 Firefox/2.0.0.13 Accept text/xml,application/xml,application/xhtml+xml,text/html;q=0.9,text/plain;q=0.8,image/png,*/*;q=0.5 Accept-Language ja Accept-Encoding gzip,deflate Accept-Charset ISO-8859-1,utf-8;q=0.7,*;q=0.7 Keep-Alive 300 Connection keep-alive ･･･以下省略･･･
https://w.atwiki.jp/testlink/pages/40.html
!DOCTYPE html PUBLIC "-//W3C//DTD XHTML 1.0 Transitional//EN""DTD/xhtml1-transitional.dtd" !-- Japanese Translated by Testing Engineer s Forum (TEF) in Japan, Working Group of TestLink Japanese Translation Project -- html xmlns="http //www.w3.org/1999/xhtml" lang="jp" head meta http-equiv="Content-Type" content="text/html; charset=UTF-8" / meta http-equiv="Content-language" content="jp" / meta name="author" content="Martin Havlat" / meta name="copyright" content="GNU" / meta name="robots" content="NOFOLLOW" / title TestLink Instructions /title style media="all" type="text/css" @import "../../{$smarty.const.TL_THEME_CSS_DIR}testlink.css"; /style script type="text/javascript" src="../../javascript/testlink_library.js" /script /head body div class="workBack" h1 テストケース実行 /h1 h2 目的 /h2 p テストケース実行をユーザに許可します。ユーザはテスト結果をビルドに対してのテストケースに割り当てることができます。フィルタ、設定(セッティング)についてのいろいろな情報については span class="help" onclick="javascript open_popup( ./execFilter.html );" ヘルプ /span を参照してください。 /p h2 やってみましょう！ /h2 ol li テスト計画を実行するビルドを決定しなければなりません。 /li li プルダウンからビルドと、ナビゲーションシートの「更新」ボタンを選択してください。 /li li すべてのテストケース、テストスイートを参照するために「テストスイート」をクリックしてください。 /li li テストケースの結果と適切な備考、バグについての情報が表示されます。 /li /ol /div /body /html
https://w.atwiki.jp/assolutoracingjpn/pages/104.html
イベントカレンダー 日にち 時刻 イベント名 URL // カレンダー表を生成する関数 function generateCalendar(year, month) { // 日付の配列を生成 const dateArray = generateDateArray(year, month); // カレンダー表のHTMLを生成 const calendarHtml = generateCalendarHtml(dateArray); // カレンダー表を表示 const calendarElement = document.getElementById( calendar ); calendarElement.innerHTML = calendarHtml; function generateDateArray(year, month) { const dateArray = []; const firstDate = new Date(year, month - 1, 1); const lastDate = new Date(year, month, 0); for (let date = firstDate; date = lastDate; date.setDate(date.getDate() + 1)) { dateArray.push(new Date(date)); } return dateArray; } function generateCalendarHtml(dateArray) { const weekDays = [ 日 , 月 , 火 , 水 , 木 , 金 , 土 ]; let calendarHtml = table tr th 日 /th th スタート時 /th th イベント名 /th /tr ; for (let i = 1; i = 31; i++) { const day = i 10 ?` 0${i}` i; calendarHtml += ` tr td ${day} /td td /td td /td /tr `; } calendarHtml += /table ; const calendarElement = document.getElementById( calendar ); calendarElement.innerHTML = calendarHtml; const formElement = document.getElementById( schedule-form ); formElement.addEventListener( submit , function(event) { event.preventDefault(); // デフォルトの送信をキャンセル const date = event.target.elements.date.value; const time = event.target.elements.time.value; const eventTitle = event.target.elements.eventTitle.value; const url = event.target.elements.url.value; const calendarDayElement = document.querySelector(`td nth-of-type(${date.slice(-2)})`); calendarDayElement.nextElementSibling.textContent = time; const eventLinkElement = document.createElement( a ); eventLinkElement.href = url; eventLinkElement.textContent = eventTitle.slice(0, 10); calendarDayElement.nextElementSibling.nextElementSibling.appendChild(eventLinkElement); }); const now = new Date(); let year = now.getFullYear(); let month = now.getMonth() + 1; function updateCalendar() { const firstDayOfMonth = new Date(year, month - 1, 1); const firstDayOfWeek = firstDayOfMonth.getDay(); const startDate = new Date(year, month - 1, 1 - firstDayOfWeek); let day = startDate.getDate(); for (let i = 1; i = 31; i++) { const dayOfMonth = new Date(year, month - 1, day); if (dayOfMonth.getMonth() + 1 !== month) { break; } const dayOfWeek = dayOfMonth.getDay(); const dayOfWeekText = weekDays[dayOfWeek]; const dayOfWeekClass = dayOfWeek === 0 ? sunday (dayOfWeek === 6 ? saturday ); const calendarDayElement = document.querySelector(`td nth-of-type(${i})`); calendarDayElement.textContent = day; calendarDayElement.classList.remove( sunday , saturday ); if (dayOfWeekClass) { calendarDayElement.classList.add(dayOfWeekClass); } day++; } const yearMonthElement = document.getElementById( year-month ); yearMonthElement.textContent = `${year}年${month}月`; } function addMonthButtons() { const prevBtn = document.createElement( button ); prevBtn.textContent = 前の月へ ; prevBtn.addEventListener( click , () = { currentDate.setMonth(currentDate.getMonth() - 1); renderCalendar(); }); const nextBtn = document.createElement( button ); nextBtn.textContent = 次の月へ ; nextBtn.addEventListener( click , () = { currentDate.setMonth(currentDate.getMonth() + 1); renderCalendar(); }); const btnContainer = document.createElement( div ); btnContainer.appendChild(prevBtn); btnContainer.appendChild(nextBtn); calendarContainer.appendChild(btnContainer); } const currentDate = new Date(); const calendarContainer = document.getElementById( calendar ); addMonthButtons(); renderCalendar(); }
https://w.atwiki.jp/monosepia/pages/9400.html
※大胸筋。肩、上腕三頭筋,前腕, Pull UP / SQUAT / PULL UP / LEG RASE / BRIDGE / HAND STAND / Bench Press ーーー 筋トレ / 自重トレーニング 🔴 Convict conditioning one-arm push-up progression 囚人トレ プッシュアップの段階進行 ■ 【衝撃的】ベンチプレスを超える最強の腕立て伏せ！大胸筋の厚みを最短で作る筋トレメニューを科学的に徹底解説！ パーカーフィットネス ■ 【闇雲にやっても効果は薄い】最強の大胸筋を作る腕立てふせ極意解説 ヒサノトレーニングラボ久野圭一 三角筋～上腕三頭筋 ■ 大胸筋の厚みが欲しいならこの３つを絶対守れ！最強の腕立て伏せ筋トレメニューを科学的に徹底解説！ ※ 体重の84％ 膝立は49％の負荷である 1、正しいフォームで 手幅は肩幅より少し広め、指を少し内側に向けて脇を開く、プッシュアップバーがおすすめ 2、適切に負荷を上げる（50回以上出来るようになったら） シンプルにウエイトを背負うのがベスト、スピードを速くしたり、ゆっくりにしたりしても意味はない 3、複数の角度で行う 脚を上げる､脚を下げる形も組み合わせる、極端な角度変えはしない（10～20㎝） ※ 出来るだけ毎日行う（3～5セット） 筋トレ頻度は高いほうが筋肉が成長しやすいことが判明している ※ 低重量と高重量を使い分ける 8レップ限界、5レップ限界、20レップ限界などを組み合わせる ※ 腕立ては大胸筋の他に上腕三頭筋、三角筋前部、腹直筋も活性化する ■ 【腕立て伏せ】ベンチプレスよりも効果的！？プッシュアップが筋肥大に効果的な3つの理由【大胸筋】 筋トレの科学 ※ 肘と身体の角度は45° ※ 2.5秒で一回のペースで 【プリズナートレーニングメニュー動画【全60種目完全攻略ガイド】】 「のぶちかブログ」より 【PUSH UP：初級】 ■ STEP 1 ウォール・プッシュアップ（Wall Pushups） + 動画 ■ STEP 2 インクライン・プッシュアップ（Incline Pushups） + 動画 ■ STEP 3 ニーリング・プッシュアップ（Kneeling Pushups） + 動画 ■ STEP 4 ハーフ・プッシュアップ（Half Pushups） + 動画 【PUSH UP：中級】 ■ STEP 5 フル・プッシュアップ（Full Pushups） + 動画 ■ STEP 6 クローズ・プッシュアップ（Close Pushups） + 動画 【PUSH UP：上級】 ■ STEP 7 アンイーブン・プッシュアップ（Uneven Pushups） + 動画 ■ STEP 8 ハーフ・ワンアーム・プッシュアップ（Half One-Arm Pushups） + 動画 ■ STEP 9 レバー・プッシュアップ（Lever Pushups） + 動画 ■ STEP 10 ワンアーム・プッシュアップ（One-Arm Pushups） + 動画 ーー 【SQUAT：初級】 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 【SQUAT：中級】 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 【SQUAT：上級】 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ーー 【PULL UP：初級】 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 【PULL UP：中級】 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 【PULL UP：上級】 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ーー 【blanklink プラグインエラー URLかページ名を入力してください。】 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ーー 【BRIDGE】 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ーー 【HAND STAND】 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ーー 【blanklink プラグインエラー URLかページ名を入力してください。】 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ blanklink プラグインエラー URLかページ名を入力してください。 + 動画 ■ 【腕立て伏せ】ベンチプレスよりも効果的！？プッシュアップが筋肥大に効果的な3つの理由【大胸筋】 筋トレの科学 ■ [初級〜上級] スピード 高回数で攻めるプッシュアップトレーニング！[カリステニクス･自重トレ] SAMPEI OKUNO ■ Everything Wrong With Push-Ups! Calisthenicmovement ■ The Perfect PUSH-UP Workout（3 LEVELS） ATHLEAN-X™ ■ 大胸筋を破壊する！山本式3/7法で行うプッシュアップがきつすぎてやばい【胸トレ】 山本義徳 筋トレ大学 ■ 【30日チャレンジ】毎日100回の腕立てを1ヶ月間やってみた！プッシュアップチャレンジ BuzzFeed Japan 2019/07/08 に公開 体型が違う男2人が、30日間毎日100回腕立て伏せをやる「プッシュアップチャレンジ」に挑戦してみました！腕立て伏せで腕だけではなく、肩、背中、胸なども鍛えられるのでしょうか？ ■ The 25 Best Push up Exercises ■ The Perfect Push Up | Do it right! Calisthenicmovement ■ 100 Push Ups a Day Challenge | Does it really work? Calisthenicmovement ■ The ONLY Push Up Exercises You Really Need! Calisthenicmovement ■ 大胸筋を大きくする自重トレ!胸全体に効かせる２分半の胸トレ【筋トレ】 【上越YG】山澤 礼明 2018/08/29 に公開 大胸筋を大きくする自重トレのご紹介です。この腕立て伏せは大胸筋全体に効くように５種目で構成された胸トレです。胸を大きくしたい方、大胸筋の上部、中部、 下部を鍛えたい方など是非挑戦してみてください。 山澤礼明Instagramはこちら http //instagram.com/yg.yamasawa.hiro ■ ベンチプレスが出来なくても重量を下げないようにするための自重トレ 山本義徳 筋トレ大学 ■ The Official Push-Up Checklist（AVOID MISTAKES!） ATHLEAN-X™ (※以下自動翻訳) プッシュアップは、ジムで最もよく行われるエクササイズの一つですが、残念ながら、最も頻繁に行われているエクササイズの一つでもあります。 このビデオでは、私はステップバイステップのチェックリストを与えようとしていることを確認するためにあなたが正しくプッシュアップのすべての部分を釘付けにしていることを確認して、何もないが、利益を取得し、これを間違って行うことから来る痛みを避けることができます。 しかし行うには便利です最初の事は、プッシュアップとベンチプレスの間の類似点を参照してくださいすることです。 動きを視覚化する場合は、彼らは 1 つの抵抗としてバーベルで行われ、他のあなた自身の自重を利用している場合を除いて、プレスの力学の面で本質的に同じです。 上から下にあなたの方法を作業する場合は、弱点を提示することができますチェーンの各領域を修正していることを確認する必要があります。 それは頭と首から始まります。 ベンチプレスでは、バーを押し上げるときに後頭部をベンチに押し付けないようにしたいものです。 これは、バーを押し上げようとしたときに、バーに反発する力を発生させようとするために起こることが多いです。 腕立て伏せでは、頭が下向きになることが多いです。 しかし、この理由は、視覚的にレップをごまかそうとしていることに関係しています。 あなたの目は、あなたの体が実際にあるよりも地面に近いと思わせること。 いずれにしても、エクササイズ中は頭をニュートラルに保つようにしましょう。 次に肩です。 ベンチプレスでも腕立て伏せでも、繰り返しを始める前に肩の力を抜くことが重要です。 そうすることで、肩の位置が良くなり、インピンジメントが起こりにくくなります。 また、後述する下降時の肘の位置を修正するのにも役立ちます。 次に注目すべき場所は、背中の上部と肩甲骨です。 ベンチプレスや腕立て伏せを最大の力の発生と安定性で実行したい場合は、この領域がどれだけ重要であるかを認識する必要があります。 あなたは砂のような不安定なベースから最大の垂直ジャンプを実行しようとしないのと同じように、あなたは試してみて、どちらかからプレスしたくないでしょう。 肩甲骨を締めて、一緒にそれらを絞るの安定性は、あなたがそれらのオフをプッシュすることができます力を向上させることができるものです。 あなたの肩甲骨を引き締め、すべてのレップの最初と最後にこの領域の上にバーを維持することを確認してください。 最後に、最後のチェック項目は大臀筋を活性化させることです。 特に腕立て伏せでは、これを行うことで体全体の剛性が高まり、力の伝達がより効率的になり、プレスのどの時点でも力が失われにくくなります。 大臀筋をしっかりと絞ったり、プレスをしているときに足を床につけたりすると、リフトの強度が瞬時にアップすることに気づくでしょう。 プレスを始めるときに最も重要なことは、肘の位置を自分の体に関連させることです。 肘を横にフレアさせるのではなく、水平から約30度落とすことを確認してください。 これで再び肩を保護し、実際にはよりバイオメカニクス的に強いポジションからプッシュすることができます。 最後に、バーのパスが重要です。 ほとんどの人は、ベンチプレスのパスはまっすぐだと聞いたことがあります。 それは本当ですが、それは上下にまっすぐであることを意味するものではありません。 ベンチプレスを正しく行うためには、胸の低い位置から、すでに話したパワーと安定性の位置の上に直接バックアップするように角度をつけてプレスする必要があります。 ここで各レップの下でポーズを取ることで、ここでは勢いではなく、コントロールで得たことを強化します。 このような詳細は、どのようなエクササイズを行っているかに関係なく重要です。 もしあなたが最高の結果を出すために、すべてのエクササイズに科学を取り入れた完全なプログラムをお探しなら、下記のリンクからATHLEAN-Xトレーニングシステムをチェックしてみてください。 腕立て伏せの方法やベンチプレスを増やすためのベストな方法については、下記のチャンネルに登録して、新しいビデオを見逃さないように通知をオンにしてください。 90日で筋肉を構築する - http //athleanx.com/x/my-workouts このチャンネルを購読するにはここをクリックしてください - http //youtube.com/user/jdcav24 www.DeepL.com/Translator（無料版）で翻訳しました。 ■ The Most Important PUSH UP You'll Ever Do TappBrothers Join the Acro 101 course here http //bit.ly/2Gj8fmb ■ 筋トレ】軍人が教える最強の腕立てチャレンジ（sally up challenge） ガナイケTV The Perfect Push-Up To Build Muscle（AVOID THESE MISTAKES!） Everything Wrong With Push-Ups! , .
https://w.atwiki.jp/eriax/pages/121.html
制限 セクション構造からのアウトライン抽出は HTML 4.4.11.1 に準拠。効率は考慮外。 Microdata アイテム抽出は HTML 5.2.5, 5.5.1 に準拠。ただし絶対 URI のチェックはしない。 どちらも抽出するだけ。 使用例 アウトライン var hapi = HTML_Outlines_and_Microdata_for_HTML_Browsers; // 文字列として確認 alert(hapi.createOutlineString(document)); // ul 要素を生成 var toc = hapi.createOutlineList(document); Microdata var hapi = HTML_Outlines_and_Microdata_for_HTML_Browsers; // 文書内のアイテムを JSON で抽出 var items = hapi.findAllItems(document); var jsonData = JSON.stringify(items); ソースコード if ( undefined === typeof Array.prototype.map) { Array.prototype.map = function (callbackfn) { var thisArg = arguments[1]; var result; var count; var i; if ( function !== typeof callbackfn) { throw new Error; } count = this.length; result = new Array(count); for (i = 0; i count; i++) { if (i in this) { result[i] = callbackfn.call(thisArg, this[i], i, this); } } return result; }; } if ( undefined === typeof Array.prototype.indexOf) { Array.prototype.indexOf = function (ceil, floor) { return function (searchElement) { var fromIndex = arguments[1]; var count = this.length; var i = Number(fromIndex) || 0; i = (i 0) ? ceil(i) floor(i); if (i 0) { i += count; } for (; i count; i++) { if (i in this) { if (this[i] === searchElement) { return i; } } } return -1; }; }(Math.ceil, Math.floor); } if ( undefined === typeof Array.prototype.filter) { Array.prototype.filter = function (callbackfn) { var thisArg = arguments[1]; var result; var count; var i; var v; if ( function !== typeof callbackfn) { throw new Error; } count = this.length; result = new Array; for (i = 0; i count; i++) { if (i in this) { if (callbackfn.call(thisArg, v = this[i], i, this)) { result[result.length] = v; } } } return result; }; } //////////////////////////////////////////////////////////////////////// var HTML_Outlines_and_Microdata_for_HTML_Browsers = new function () { /*@cc_on@*/ ////////////////////// // Outlines // var isSectioningContent = function () { var Names = /^(? section|nav|article|aside)$/i; return function (node) { return node (node.nodeType === 1) Names.test(node.tagName); }; }(); var isSectioningRoot = function () { var Names = /^(? body|blockquote|details|fieldset|figure|td)$/i; return function (node) { return node (node.nodeType === 1) Names.test(node.tagName); }; }(); var isHeadingContent = function () { var Names = /^(? h[1-6]|hgroup)$/i; return function (node) { return node (node.nodeType === 1) Names.test(node.tagName); }; }(); var isHeadingGroupContent = function () { var Names = /^hgroup$/i; return function (node) { return node (node.nodeType === 1) Names.test(node.tagName); }; }(); var getLevel = function (elt) { if (isHeadingGroupContent(elt)) { return getHeadingGroupLevel(elt); } return getSingleHeadingLevel(elt); }; var getSingleHeadingLevel = function (elt) { return parseInt(elt.tagName.slice(-1)); }; var getHeadingGroupLevel = function (elt) { var maxLevel = Infinity; var currentLevel; var nodes = elt.childNodes; var node; var i; for (i = 0; node = nodes[i++];) { if (isHeadingContent(node)) { currentLevel = getSingleHeadingLevel(node); if (currentLevel maxLevel) { maxLevel = currentLevel; 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} else { value = ERROR ; } } else { switch (elem.tagName.toUpperCase()) { case META value = elem.content || ; break; case EMBED case IFRAME case IMG value = elem.src || ; break; case AUDIO case SOURCE case TRACK case VIDEO value = elem.src; if ( undefined === typeof value) { value = elem.getAttribute( src /*@,0@*/ ) || ; } break; case A case AREA case LINK value = elem.href; break; case OBJECT value = elem.data; break; case TIME value = elem.dateTime; if ( undefined === typeof value) { value = elem.getAttribute( datetime /*@,0@*/ ) || ; } break; default /*@if(1)var s;if( undefined !==typeof(s=elem.innerText)){value=s}@else@*/ value = elem.textContent; /*@end@*/ break; } } var nameCount = names.length; var name; var j; for (j = 0; j nameCount; j++) { name = names[j]; if (properties.hasOwnProperty(name)) { properties[name].push(value); } else { properties[name] = [value]; } } } result[ properties ] = properties; return result; }; this.findAllItems = findAllItems_JSON; }; 初出 2011-09-04/05 修正 2012-03-05
https://w.atwiki.jp/fffkindle1212134/pages/35.html
Code Geass 20. Battle at Kyushu We hereby declare the resurrection of Japan as a lawful, independent, and sovereign nation! Atsushi Sawasaki, leader of the forces that have occupied the Fukuoka military base, was Chief Cabinet Minister of the Kururugi Administration in the former nation of Japan. After the war, he fled to the Chinese Federation, but is apparently making his move now in response to the recent civil unrest caused by Zero. Whether the Black Knights have played a role in these unfolding events is still under investigation. We re not part of it! What does Kyoto say about it? They didn t know this was coming. They were just notified about his unilateral claims over the Sakuradite mining rights. Zero, it s our move. What are we gonna do? STAGE 20 THE BATTLE FOR KYUSHU Sawasaki s group was working in conjunction with a terrorist organization in Kyushu. After cutting off vehicle access from Honshu and Shikoku, and with support from Chinese Federation forces in the Liaodong military district, they re expanding their occupation around Fukuoka, Nagasaki, and Oita. According to General Tsao, the Chinese Federation is providing humanitarian support, and is not acting-- So, how s Suzaku doing? He says he ll do whatever the mission demands. I see. And what about Prince Schneizel? Where is he? In the Tokyo Settlement. Got there after his run-in with Suzaku. Avalon doesn t have its commander right now, but we have to finish this up if we want to counter the Gefjun Disturber. I dishonored you. I m not worthy to be your knight. If this is about you disobeying orders, my brother Schneizel said it was an unusual situation, and you shouldn t be blamed for it. I can t forgive myself. Please... Has knighthood become a burden for you -- something that troubles you? No, I m grateful for it. Then why? I ve remembered something. I-- I killed my own father. I was never punished for it. I just lived on like nothing happened. And right now, I m being protected again! While soldiers die and Elevens suffer, I m unscathed! A person like me doesn t deserve this. You don t deserve it...? Then I don t either... Princess Cornelia, we re taking too many losses! This tempest is preventing us from using our air power! We ll have to delay the landing operation until the weather changes. It s a stroke of good fortune that this storm hit. We must use it to tighten our grip on Kyushu. You see, Gen. Tsao? Heaven is on our side. We re going to prevail in this battle with ease. Martial law is not necessary -- such measures would only upset and frighten people. Contact E.U. Foreign Minister Gandolphi. Oh, and put a call in to the Tromo Agency in Cambodia. Prince Schneizel, using the Tromo Agency could be of-- Prime Minister! Yes, Euphy. Something wrong? Is there anything I can do to help? I m the sub-viceroy of Area 11. I should be assisting you. Thank you. Just your offer to help me is more than enough. But I... The viceroy gave strict orders that you not entangled in this matter, Princess. She did? Just because I chose my knight without her consent? Oh, uh, no, that s not correct. I think even the Kururugi matter-- Please understand, Euphy. Cornelia can t take any chances now -- the situation is too treacherous. You mean... Darlton, concerning the matter we were discussing, I know someone who has a way in with them, so I will ask for help. Yes, Your Highness. After all our hard work getting ready, it looks they re gonna cancel the school festival. That s hardly a huge consideration since we re at war. Did you say "war"? They re using this government in exile as a smoke screen, but this is a war with the Chinese Federation! Oh, I see... Nina, what about the booth we were planning to borrow from the art museum? Uh, I m going there today. If I had some extra time... I d also like you to drop into the science department. Are you talking about that present of yours? Huh? What present is that? Prof. Asplund said I should ask him if there was something special that I wanted. You mean Lloyd?! That philandering playboy?! That s enough! Could you get a little work done? Easy for you to say. This is work for three people! Suzaku s in the army, Kallen s in the hospitalized, and the other fool s nowhere to be found! There s something s really weird about Lelouch lately. I was so shocked. I m still confused about it. How can Lelouch be Zero? I still haven t told anyone. I want to meet you first and ask you face to face. Did I really write that letter? How is it possible? Why did I forget... that Nunna s big brother is Zero? Z-01 float attachment, contact. Control line, established. Avionics, all systems, on-line. That s really amazing. You got a perfect rating on the float simulator. Thank you. Tell me... why did you want to give up being a knight, Suzaku? Well, because... Princess Euphemia still approves of me, even as I am now. So, if I caused her any trouble -- if I brought her dishonor or shame -- I had a feeling that she would end up hating herself. A figurehead -- that s all I was from the start. I knew that, but I thought if I gave my best effort, maybe I could make some difference... Forgive me, Clovis. I met Zero face to face, but I didn t avenge your death. I have to think of some way to save Lelouch and Nunnally... but how? I don t have the kind of power that my sister has. I m not like her or Schneizel. No matter where I go, I m just a burden, and I act selfishly though I don t mean to. I chose my knight against my sister s advice... and now he s resigned... Oh yeah, they told me about you. You need to get the documents signed today, right? But a member of the royal family is viewing the art right now. Huh? Which member is it? Uhh, so you re saying--? We aren t going to collaborate with Sawasaki. He s not independent -- he s a puppet of the Chinese Federation. But he says he s fighting for Japan! We get a new name and a new master, but nothing would change. His Japan is a sham. Yeah? What you re really saying is-- when Britannia strikes back, we play dead? Zero, perhaps you d better clarify what our overall mission is. Yeah, he s right. Even leaving aside the Sawasaki matter, what s our midterm goal on this? To make Tokyo an independent nation! Independent?! A nation?! Are you serious?! You mean us? A country? He s joking, right? I thought so. He s really going all the way. Wait a minute! No matter how much the Black Knights have expanded--! Our enemy is an empire that controls one third of the world! We can t pull that off alone! Then answer this! Are you just going to sit back and wait for someone else to defeat Britannia? Who?! You think if you wait long enough, some day the right chance will finally come? Don t be naive! If we don t stand up and do it ourselves, that "some day" will never come! Princess Euphemia! Hey! Secure the perimeter! Code Delta! We have a Code Delta! Please! I just wanna thank Princess Euphemia! J--just one look at her! This is front gate! Emergency lockdown! Lock down all entrances! Repeat lock down all gates leading into the building! From the hotel! We ve got a suspicious girl at the building perimeter! Watch for any unidentified vehicles! Please...! Prepare Room Four. We re coming in. Stop it! That girl is a personal friend of mine! Huh? Good, it s cleared up. Now we can resume the landing operation, and we ll try to put Prince Schneizel s plan into action. You think the Special Corps can break through their line? With Kururugi, it s possible. Using him can also mean trouble. But there s no commander on the Avalon now. Earl Asplund isn t capable. Incoming missiles! Launch point appears to be Fukuoka base! 1 minute, 5 seconds to impact! Not bad! They re well-prepared against air raids as well. Are we sending up a barrage? We ll be fine in this position. Direct hit confirmed! The Avalon is destroyed! Hmph, even if it is state-of-the-art, a single ship can t possibly hurt us! Hmm? What the...? Lancelot s shield was already proved on the battlefield. Maj. Kururugi, I m laying out the mission plan for final verification This ship will breach the enemy s front line from high altitude and move directly to the launch point. The advanced weapon system Z-01 Lancelot, using the float unit, will attack the enemy headquarters at Fukuoka base. The float unit consumes energy fast, so pay attention to your operation time. Yes, My Lord. M.E. Boost. Lancelot unit, now launching! Launch! The enemy ship seems to have launched a bomber, but it s moving faster than a fighter plane! I have picture! A Knightmare?! It s not being transported; it s just flying on its own! That weapons report we got, could this be it?! You mean that novelty weapon?! But then, the pilot is...! The military force that s trying to occupy the Kyushu block is fighting under ex-Minister Atsushi Sawasaki. If they lose him, the new Japanese government will collapse very quickly. In that case, the Chinese Federation will lose their excuse for being here and have to withdraw. There it is -- the enemy headquarters. An open channel? This is Minister Sawasaki. Is that Prime Minister Kururugi s son in the pilot seat? I see. I didn t know he had a son like you. And then... when you saved me, Princess Euphemia -- I ll never forget it -- you looked like some kind of goddess... like you were bathed in radiant light. Oh, forgive me! I should have thanked you for these change of clothes you gave me. Oh, don t worry about that, Nina. Besides, I m not at all the wonderful person you think I am. I m no good compared to my brother and sister... No, that s not true! How can you say that about yourself...? There s not one good thing about me... really, nothing at all. My parents are ordinary, I m not the least bit pretty, and there s just nothing special about me! That s wrong, Nina. I think you re a very cute girl. Oh, no... I m not really good for anything... not at all. She hates herself. But so do I... I guess I understand, but Suzaku makes me uneasy. That s it! Suzaku feels badly too! So please, oh please, don t say that you re no good, Princess Euphemia! I beg of you! Because... because... I need you... I need your goodness. Thank you so much, Nina. I m glad I got to know you. You ve really helped me understand! This has nothing to do with my father -- I came here to put an end to this fighting. I will accept your surrender. You want to rob Japan of its dream of freedom? Freedom has to come the right way! Not like this! You will act out of selfishness? It s justice without ideology! No, you re wrong! That s not what I-- My V.A.R.I.S.! Those are Chinese Federation Gun-Rus! He allowed me to distract him. He still has much to learn! Euphy? Schneizel, may I have access to a private communication line? My energy filler! Are you kidding?! They blasted off the float?! The Avalon has to strike at the base! No! The shield doesn t completely surround us! One direct hit and we ll go down in flames! Suzaku, reroute all power to combat and comms systems! Got it! You had better surrender, Suzaku! Since you re Prime Minister Kururugi s son, I guarantee that you ll be very well-treated, my boy. I decline! If I use my father s name for this, I ll never forgive myself! This is between you and me! I see. You re very much your father s son, as foolish and stubborn as he was! Suzaku Kururugi! Princess Euphemia! Suzaku! The truth is, you and I... That is-- Sorry, but right now-- You see... I hereby command you to love me! Right! Huh? What?! What is it?! Uh, sorry, but this is private. And in return, I will love you! Forever! Princess Euphemia! Suzaku, I love your stubbornness and your kindness and your strength! Your sad eyes, your clumsiness, and the way you have trouble with cats! I love everything about you! So please, don t hate yourself! I see that I ve made you even more worried than I did before. You really are... Everything you do is impulsive. When we first met, when you told me you were a princess, when you selected my school, when you made me a knight -- always! Yes, they were all so sudden. That s because... I suddenly realized... But then, it s that spur-of-the-moment feeling that s opened so many doors for me! Thank you! What are you doing?! Stop him now! Princess, can I make one final request? Final? If something happens to me, whatever it is, please don t blame yourself. Destroy all the records and erase every trace so no one knows what happened to me. I don t want my friends to be sad. Just tell them I transferred school or make up some story. Suzaku, don t tell me you re--! Yes. The Knightmare s out of energy. Oh, and please, say goodbye to Miss Cécile and Lloyd and Prince Schneizel for me. I was stubborn all the way to the end. Don t die, Suzaku! You got to live! Wh--what the...? AND FIRE! Huh?! What was that?! Something just appeared on the radar! A stealth system?! We ve got picture! That s...! I see. So the famous white Knightmare is named Lancelot. And he s fighting as recklessly as ever. Yes, but this time he seems to be following someone else s plan. They sent a single fighter in to try to disrupt the main force. Even if he fails, Cornelia can move right in. Schneizel! Is he behind this idea? These people are in my way. I thought the Hadron Cannon was still in development! They made the beams converge?! But I wanted to be the one to perfect that system! Hmm... looks like integrating the Gefjun Disturber has worked. But that float system is more advanced than mine. So my opponent is the Earl of Pudding, I guess. We were collaborating inadvertently. Oh, how distasteful. Kururugi, is the Lancelot still operational? Zero... I thought so. It s Zero?! Is that an open channel?! Yes! Then stay with that source and find out what he s after! An energy filler? I m going to take out the enemy command center. What will you do? What?! Sorry, Zero, but you re not going to get your wish -- I m going to hit them first, my way. Resume attack! Stop them! Stop Kururugi and Zero! Zero! Shouldn t we be fighting together as comrades?! Don t you care about Japan?! The Black Knights stand against anyone who uses violence unjustly for their own selfish end. Selfish?! I m doing this for Japan! Sawasaki! If this is for Japan, why did you run away to the Chinese Federation?! You should have stayed, for everyone s sake! You re still a child! A joint operation. Gawain... Lancelot... So Suzaku and Lelouch are... What?! Zero?! Yes, he saved Kururugi. Fighting on our side? What the hell is he thinking? So his tactic was to bring the Gawain in alone to get past the Britannians. That was brilliant! Maybe, but the Guren Mk-II could have acted as a shield for them. It s not like I could go home or back to school at this point. After all our battles, to be working with the Lancelot is just-- What s necessary here is not victory. The Black Knights participation in this battle is an undeniable truth. Of course, it will never be officially reported, but the rumors will spread, and everyone will know what happened here. As Zero said, this will show the world exactly where we stand protecting the nation is our first commitment. What s wrong with going to another country, then waiting for the right moment to strike?! That s an effective strategy, isn t it? We can set up a new line of defense at Kagoshima. Right. I appreciate your help. Huh? Uh?! Sawasaki! That s far enough. I--i--impossible! They took the largest fortress in all of Kyushu, with hardly any effort! The terrorism in the Kyushu block led by an antigovernment group was stopped by Princess Cornelia s sudden attack. Atsushi Sawasaki and four members of the former Japanese government were arrested. Over half the Chinese Federation troops were captured as well. In response to this incident, Chinese Federation leaders are asserting this was an unauthorized action by Gen. Tsao of the Liaodong district, and they are requesting all P.O.W.s be released in accordance with the Tibet Convention. Warrant Officer Kururugi, reporting for duty. Welcome back home, Suzaku. Uh... uh--! Uh... I-- Suzaku, I finally understand my heart. It s not that I expect an ideal country or perfect justice or anything complicated like that. I just want to see people smiling, that s all. The smiles of the people I love now and the people I loved before as well. Will you help me? Will you be my knight? I will, Your Highness. Now that Sawasaki s been stopped, we have to make our next move quickly! Also I need to build a place where Nunnally can be happy, and for that, I need to create a nation that can drive a wedge into the world. Things are proceeding well towards destruction. And when the time comes, I ll deal with Cornelia and Schneizel at the same time!
https://w.atwiki.jp/nerikesi/pages/15.html
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https://w.atwiki.jp/1note/pages/92.html
HTML 読み方 ： エイチティーエムエル フルスペル ： HyperText Markup Language 分野 ： 情報の表現 マークアップ言語 HTML Webページを記述するためのマークアップ言語。W3Cが作成している規格で、最新版はHTML 4.01。 HTMLは文書の論理構造や見栄えなどを記述するために使用される。また、文書の中に画像や音声、動画、他の文書へのハイパーリンクなどを埋め込むこともできる。 HTMLで記述された文書を閲覧するには通常Webブラウザを使用する。しかし、HTML文書はテキスト文書の一種であるため、テキストエディタでHTML文書を開き、タグごとテキスト文書として読み書きすることも可能である。 HTMLはもともとSGMLの部分集合として策定されたが、現在はSGMLの目的とはかなり異なる、独自の進化を遂げるに至っている。 HTMLは本来文章の論理構造を記述する言語であったが、主にWebブラウザメーカーによる度重なる拡張の結果、単なる見栄えを記述するタグが大量に取り込まれた。しかし、HTML 4.0では文書の論理構造を記述するという本来の目的に立ち返り、見栄えの記述はCSSを使って行なうように改められた。 現在は、HTMLをXMLに準拠した仕様になるよう改良したXHTMLがW3C勧告として公開されている(最新版はXHTML 1.1)。W3Cの仕様策定の主軸は既にXHTMLに移行しており、今後はXHTMLがHTMLに代わり、Webページ記述言語として徐々に浸透していくものと考えられている。